学术讲座《从音乐作品的体式分析到内涵体验——以贝多芬< 钢琴奏鸣曲>（Op.106）第三乐章为例》情趣做爱
Academic Lecture From the Form Analyses of Music Work to the Experience Connotation —Taking the 3rd Movement of Beethoven's Piano Sonata (Op.106) for Example
主讲东说念主：高拂晓
Lecturer: Gao Fuxiao
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讲座简介
音乐作品体式与履行的关系问题是音乐好意思学的一说念珍惜，在音乐想想发展史上酿成了两种中枢不雅点，一种是音乐体式论，另一种是音乐证传说。而在音乐审好意思训导中，体式与履行是牢牢关联在一说念的不成分割的两个部分，体式与履行在东说念主的暴露与连结中酿成了有机的交融。讲座以贝多芬《钢琴奏鸣曲Op.106》第三乐章的音乐片断为例，空洞体式分析、凝听实验和创作履行解读，试图考证这么一个问题：艺术音乐是有履行的，音乐的内涵体验是一个从体式到精神的连结历程，中西方在音乐内涵体验上存在一定文化各异，但共性阐释是可能的。
Introduction
The relationship between the form and content of music works is a tough question in musical aesthetics. Two core viewpoints have taken shape in the history of musical thoughts: one focusing on music form and one on music expression. In the musical aesthetic experience， form and content are two inseparable parts closely linked to each other， forming an organic fusion in people's cognition and understanding. Based on the music excerpt of the third movement of Beethoven's "Piano Sonata (Op.106)" as an example， the lecture combines form analysis， listening experiments， and interpretation of creative content， in an effort to verify this question: content exists in art music; the experience connotation is an understanding process from form to spirit; there are certain cultural differences in experience connotation of music between China and the West， but it is possible to interpret their commons.
主讲东说念主简介
高拂晓：博士，中央音乐学院商讨员，商讨生部副主任，英国牛津大学探望学者，好意思国芝加哥大学探望学者。主要商讨领域：音乐好意思学、饰演表面及音乐驳斥。在中央音乐学院开设的本科和商讨生课程：《音乐饰演好意思学概论》《音乐饰演商讨》和《学位论文写稿》。出书专著《期待与立场：迈尔音乐好意思学想想商讨》《音乐饰演艺术论》《音乐饰演专科论文写稿基础》，发表论文几十篇。先后入选陶冶部“新世纪优秀东说念主才维持考虑”，霍英东陶冶基金会后生老师基础名目，国度社科基金艺术学名目，主捏并参与完成了多项国度级科研课题。获中国音乐驳斥“学会奖”一等奖、中国音乐金钟奖表面驳斥优秀奖、中国文艺驳斥家协会“啄木鸟杯”年度优秀作品奖等。
Lecturer
三上悠亚在线Gao Fuxiao， Ph.D.， Research Fellow情趣做爱， Deputy Director of the Graduate Department of Central Conservatory of Music (CCOM). He was a visiting scholar at the University of Oxford in the UK， and visiting scholar at the University of Chicago in the US. His main research areas are music aesthetics， performance theory and music criticism. The undergraduate and graduate courses he offers at CCOM include "Introduction to Music Performance Aesthetics"， "Music Performance Research" and "Dissertation Writing". He published monographs "Expectation and Style: A study on Meyer's Aesthetics of Music"， "The Art of Musical Performance"， "Basics of Thesis Writing for Students of Musical Performance"， and dozens of papers. He has been selected into the Program for New Century Excellent Talents in University of the Ministry of Education， supported by Fok Ying Tung Education Foundation and Art Project of National Social Science Foundation of China. He has presided over and participated in the completion of a number of national scientific research projects. He won the first prize of the "Society Award" of the Chinese Society of Music Criticism， Excellence Award of Theoretical Criticism of the Chinese Golden Bell Award for Music， and the "Woodpecker Cup" Annual Outstanding Work Award of China Literature and Art Critics Association.